9/20/2019 Elixxier Set A Light 3d Studio Serial
. Have you ever found yourself wanting to practice your portrait lighting techniques, but you don’t have a subject available?
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Do you get nervous when you are shooting someone, because you are afraid that if you run into a problem with your lighting, your subject will lose faith in you? You’re not alone – these are common problems that photographers deal with everyday.
I recently stumbled upon a great learning tool that will help you avoid these problems and definitely take your lighting skills to the next level. The German Software company named has developed a studio lighting software, an awesome learning and prep tool for photographers of all skill levels. Watch the VIDEO. The software comes pre-loaded with studio set-ups and models that you can experiment with, but that’s not what makes it so amazing. It is completely customizable. So let’s dig in Below is the interface of set.a.light 3D with the Demo Setups loaded: Let’s pick a simple one-light set-up with the model posed in front of a gray background: In the center of the display we can see a 3D rendering of the studio set-up. With a few simple mouse commands, we can move all around the set-up and look at it from the side, or top, zooming in or out.
In the camera panel in the upper right we can see what the finished shot will look like. Want a better view? Switch it to the main panel. Thinking about vertical instead of horizontal? That’s one click away. You will notice along the top of the display here we have all of our camera, lens, and exposure settings: If you make adjustments here, they are immediately reflected in the camera display rendering of your finished shot. Now you may be asking, how accurate can that possibly be?
It’s not perfect, but it’s pretty darn good, right down to the histogram in the upper right corner for those of you that are slaves to the numbers. Let me show you how well this works: if we move down to the lower right and select the strobe, you can see on the left side of the display that all the controls are now dedicated to that strobe. We can adjust the watt seconds of the strobe and then adjust its power output. If we turn the power up, the image is now over-exposed. But if we adjust the aperture or ISO we can correct the exposure. We also have the ability to change the reflector or the modifier on the strobe, as shown above in the screencap above in left-hand corner.
Set.a.light 3D studio lighting software has all kinds of modifiers, including reflectors, soft boxes, grids and beauty dishes. It also has speedlights built into the software, so you can choose between a speedlight or a monolight as your light source. If I switch back to the Studio Light display, you will see that by clicking on the strobe, I can easily adjust its location, height and the angle: All the while, the real-time camera display updates and renders my adjustments as a finished photo.
I can select the background in the setlist and change its size or colors. I can also completely modify the room to match the size and wall colors of my own studio. I can add a light with a blue gel for a more dramatic effect and then change to an 85mm lens instead of this short zoom. Now back the camera up, re-compose and there you have it. My version of this set-up using the studio lighting software looks like this: I can check it out in black and white, or take a snapshot of the finished set-up and then decide how I would like to output my information as a jpeg or pdf file.
I can also save this setup for future use in set.a.light 3D. This is just a brief look at the capabilities of this studio lighting software. I almost forgot posing the models can be posed and you can change their clothing, clothing colors, hair color, skin color, and expressions. I mean how cool is that? After I found this software and tried it out, I reached out to Elixxier Software in Germany and had the opportunity to speak with their founder Johannes Dauner. What’s great about this program is that it came about for the very reasons that I talked about in the beginning of the video.
Johannes had started his working life as an engineer in the automotive industry in Stuttgart Germany. He had decided to make a career change and was working as a photographer and using his girlfriend as a practice subject to test out new lighting arrangements. He wanted to find studio lighting software that would let him do this when she wasn’t available, and to his disappointment he found that nothing like this existed.
So he decided to create his own. In 2009 he put together a team of photographers and designers and programmers and Elixxier Software was born. The potential applications for this software are incredible. From learning to light and choose lenses and camera angles, to understanding how different light modifiers will impact the final outcome of your shot, to even being able to use the software to learn posing techniques.
I sincerely consider this software a MUST-USE for any photographer who is serious about learning to photograph people in a studio setting. Johannes shared with me that they are even working on a future upgrade that will allow you to use the program to plan lighting outdoors in different lighting conditions. You can They have some great video tutorials and manuals, but I can tell you that I taught myself how to use the software in about two hours. It has a very intuitive interface. If you want to see this software in action, be sure to check out this video: You always hear me say, “Practice, practice, practice.” Now you don’t have an excuse – go pick up that camera and shoot something because your best shot is your next shot. So keep learning, keep thinking, and keep shooting.
Automate Your Lighting Plans With A Unique APP! “set.a.light 3D Studio lets you plan and document complex lighting solutions with the click of a button.” set.a.light 3D allows photographers to auditon and document any number of lighting scenarios. Preparation, or lack of planning, can make or break a photo shoot. Fortunately, there are software applications to assist in production planning and to help ensure a successful shoot.
One of these applications, set.a.light 3D Studio (that’s not a typo, it’s really spelled that way), is an excellent tool for planning and prepping studio lighting and has a host of options to simulate multiple setups right on your computer. You can print out a lighting diagram (much more efficient and easy to understand than a hand-drawn sketch) for your crew and/or clients. It’s also a great tool for lighting workshops and education, since you can quickly and easily demo setups without using a white board (and provide bonus files of the layouts for your students, if you’d like). When renting studios, pre-planning will save some time and money because you’ll be good to go when you get there. But where I think set.a.light 3D Studio really proves its worth is when you want to explore options that might not be part of your standard go-to bucket of lighting scenarios. This real-time studio lighting simulation software, which is cross-platform compatible, is equipped with a full range of virtual tools—from room sizes/shapes, wall colors, flash heads, modifiers and reflectors to models, props, lenses and camera specifications/settings.
The software is available in two editions: Basic and Premium. The main difference between the two lies in the number of options and flexibility when designing studio and lighting layouts. I tested the Premium Edition, which allows for adjustable and storable spaces and unlimited numbers of flash heads, to name some of the main advantages. Setting up elixxier, the software developer, offers a wealth of helpful videos but, for the most part, set.a.light 3D is intuitive and easy to use. I’d suggest checking out some of the video tutorials, accessible from Help in the menu bar and on the website or skimming through the manual to identify some of the icons and get the lay of the land.
However, you can probably get started with set.a.light 3D as soon as you’ve downloaded it. When the software is launched, the welcome screen offers several options: start a new project or open an already existing one. You can also select to begin with a small, medium or large room, which you can then customize from within the software and save as a preset. The room preset will then appear as an option on the welcome screen next time you start the program. Custom options for the room include width, length and height dimensions as well as ceiling, wall and floor colors. The UI is clean and fairly simple to navigate and even on my standard MacBook Air, the software is responsive.
However, if you find that your system gets a little bogged down, you can adjust the quality settings to speed things up while building the setup—you may pay a penalty, though, and lose some finer lighting details (such as reflections) in preview. At the same time, you can up the quality and resolution for the rendered images, to ensure a realistic simulation. Features and Options In addition to setting up the physical space, set.a.light 3D Studio offers virtual male and female models, with selectable attributes. The basic female and male models, allowing for the most customization, including face shape and expression, while others are named and have certain set attributes.
Regardless of type, you can adjust their position and size within the set, change styling, hair color, poses and more. And, like everything else you work on, you can save your final selections as a preset and retrieve them later on. This is especially helpful if you have a standard list of poses you like to use with your portrait shoots. For lighting, there are a variety of tools including a beauty dish, studio strobes, speedlights, octabanks and modifiers. Once you’ve selected a light type, you can further refine the light by selecting the power of a flashhead (Ws) and/or adding or changing modifiers such as grids.
You can even design and add a custom flashhead and speedlight. The lights can be positioned within the space, with real-time updates of how the lighting will affect the model. The prop selection is pretty meager at this time—a couch, chair, table and some white forms (cones, boxes, balls, etc.).
While the boxes are perfect to use as apple boxes for standing or sitting, we’d like to see more options in the props department. It seems that Elixxier offers free updates on a fairly regular basis, so maybe the prop section will be expanded. With drop-down menus, setting up the virtual camera to match your own is very simple.
Choose the sensor size/crop factor (including full-frame, 1.5x, 1.6x and 2x crop), aspect ratio, lens, shutter speed, ISO and aperture. You can manually choose the focus point and lock in the target so that the camera is pointed at the subject regardless of where you position the virtual camera. Moving and adjusting gear and models is drag-and-drop simple, whether you’re working in the main screen or the small overhead view in the sidebar. A preview window gives you a closer look within the studio but can be switched to the main screen, which I found was very helpful for setting focus points. There’s also a set list with all the current gear, props and models that makes it one-click simple to select an object to modify or remove, which is especially helpful when working with complex lighting setups. Operation There’s more functionality than meets the eye with this software.
You can duplicate objects, models and light shapers, for example. And, for a more precise setup when you leave the virtual studio and move into the real one, a dimensioning tool can be drawn between objects and models within the software so you’ll know exact positioning to replicate the scene. And because this is 3D software, you can easily navigate the studio and even do a roundabout with the Orbit tool to make sure everything’s in place before you finish up. During the shoot, you can take snapshots each time you change a parameter or position. These snapshots are shown in the timeline and allow you to get back to the image’s specific studio set.
Rendering all images is one-click simple. More importantly, you can choose an image from the timeline and export the set plan to a PDF. You can also add your own notes and metadata to the set plan to have full information on hand when you’re setting up in the studio. Bottom Line Although I didn’t touch on every single feature and function of this software, I think it’s easy to see how useful set.a.light 3D can be whether you’re a studio lighting pro, someone who wants to move from the basics into more complex lighting configurations or an enthusiast just starting to experiment with studio lighting. With a diverse collection of lighting options—and the ability to add custom lights—the software should match up with even well-equipped studios. And, with the ability to create your own models, most scenarios are covered. Elixxier may, however, want to add some child and teen model avatars to help out the family portrait photographers.
There is an option for pregnant figures, so the increasingly popular pregnancy genre is covered there. Fine art photographers will appreciate the option for nude figures, too.
There’s a 30-day free trial, so it’s easy to spend some time evaluating the software for your needs. But I think you’ll find that it’s well worth the price given the time and effort it will save you when you’re on a shoot.
And, the software is actually kind of fun to play with, so it might just boost your creative approach to lighting as well. Freelance writer and photographer Theano Nikitas has been covering the photo industry for more than 20 years. Her digital imaging reviews, features, tutorials and images have appeared in a variety of print and electronic publications and books.
Download hataraku maou sama episode 12 subtitle indonesia. This Update v1.00.47 has a lot new features that we want to show you in this video! Studio light slider: It increases or decreases the overall brightness and darkness in the studio 2.
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Navigation: We changed the way of the navigation through the studio. Now you can rotate around in space by holding down the right mouse key.
Action grabbers: For a clean and organized look the action grabbers are only shown when you roll over them with your mouse. Overall performance increase More Information under.
“On my fifth birthday Papa put his hand on my shoulder and said, ‘Remember, my son, if you ever need a helping hand, you’ll find one at the end of your arm.’”—Sam Levenson I received similar advice from my own father on my 17th birthday that ultimately put me on the path to a career—not a job—in photography. The photograph here was made by my friend Danny when we climbed the 897 stairs inside the Washington Monument. Inside the classy vinyl camera bag slung over my shoulder is a Kodak Brownie Hawkeye that my parents gave me for a birthday present. I modified the camera to accept close-up and yellow filters that an uncle gave me as a gift. Even then I was interested in enhancing images, and I had no idea what that might hold, but I was fascinated by computers (and robots) back then as well.
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Courtesy of LensPen Speeding The Light There’s no doubt that speedlights have changed the face of portrait and location photography and I’m looking forward to experimenting with the small speedlights that are part of mirrorless camera systems. Mary has already made interesting images using the tiny SB-N5 Speedlight with her Nikon 1 V1 mirrorless camera.
But no matter what kind of speedlight you use, the first thing that needs to change is the quality of the light. That’s where accessories come into play and LumiQuest has designed an inexpensive ($40.95) Starter Kit that includes their Pocket Bouncer, which redirects light at a 90-degree angle from the flash head to soften the quality of the light by enlarging the light six to eight times more than the flash head’s size. (Remember: The bigger a light source is, the softer it is.) The kit bundle includes the FXtra, a gel filter holder along with red, blue, and yellow special effects gels and green and CTO (Color Temperature Orange) gels to balance your flash with fluorescent or incandescent light. Pulling it all together is an UltraStrap, a non-adhesive mounting strap, all of which fits inside a sleeve that tucks into your camera bag. Courtesy of LumiQuest Analog Filters For The Digital World 2014 is a photokina year and when I attended my first photokina in 1978 I met Jean Coquin, who was introducing the Cokin filter system to the world.
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I immediately became an avid Cokin fan and accumulated more than 200 filters in various sizes and formats. In these digital days, I don’t use them as much as before, but there’s still a place in photography for analog filters. Cokin’s new (round) Pure Harmonie filters appear to be the thinnest and the lightest available. With a thickness of 3.3mm for the Multi-Coated Anti-UV, 4.5mm for the Circular Polarizer, and 9.5mm for the Variable Density Neutral Gray, they are almost invisible when mounted on a lens, plus their shallow profile prevents vignetting.
The weight is so minimal you won’t even notice that they’re attached. The filters are elegantly slim but obviously of high-quality construction, and I like that they’re compatible with all lens caps, something not always true with thin filters. The Pure Harmonie filters are multi-coated and rugged enough to withstand environmentally challenging working conditions, which is my main reason for using analog filters. And if you thought the packaging of Cokin’s modular filters were ruggedly stylish, Pure Harmonie tops ’em all. Courtesy of OmegaBrandess See Dick Run, CFast CFast memory cards were announced in 2008 as a variant of CompactFlash and are based on the Serial ATA bus rather than the Parallel ATA bus used by CompactFlash. In 2011, Nikon and Sony backed a different format called XQD.
In 2012, SanDisk and Canon announced CFast 2.0 aimed at high-resolution digital cameras and offering read and write speeds of 1Gbit/s and storage capabilities beyond 2TB. Alas, it’s not backward compatible with either CompactFlash or even the original CFast. Lexar joined SanDisk at CES 2014 supporting CFast 2.0 for high-end memory cards, announcing 3333x models with capacities of 32GB, 64GB, 128GB, and 256GB. Lexar’s CFast 2.0 card reader has a USB 3.0 interface so you can transfer images at speeds up to 500MB/s. Anybody remember xD cards? Courtesy of Lexar Digital Retro Style Retro digital cameras are all the rage—look at the Nikon Df—but the AC Gears Bonzart Ampel Tilt-Shift camera takes it in a new direction.
It’s a twin-lens digital camera that makes tilt-shift photos and video through its two lenses. While the styling seems more Lubitel than Rollei, there’s no denying the Bonzart Ampel has a funky retro look that hipsters will love and I kinda like myself, although the $180 price tag seems a bit steep for an impulse buy. This 5-megapixel (2592x1944) camera with fixed focus 9mm f/2.8 lenses has a 2” LCD screen and can capture in normal (4:3) or square (1:1) modes.
It has a 4x digital zoom, four different color balance modes, and even a self-timer. Two ISO modes are included, Auto and 100, and you can capture images in standard, vivid, black and white, sepia, and “refreshing” (whatever that is). If you want to one-up everyone on the next photo walk, bring along a Bonzart Ampel and you’ll be treated like a star.
Courtesy of AC Gears Virtual Studio Lighting elixxier Software is a German software company that’s developed set.a.light 3D, a program that simulates indoor flash photography setups. It measures the characteristics of different light modifiers and recreates them inside a virtual studio to match real-life examples. This means you can test a light modifier before you buy it, but more importantly you can test setup ideas and be reasonably sure to get the same result in your actual studio. The software might be interesting for two reasons: on assignments, when time is limited, you can preview the lighting without having a stand-in, although the chance of this happening is slim, since for most assignments like this an assistant would be there anyway. Far more likely is for the small, in-home studio where you don’t have easy access to a model (something that’s always a challenge in my own case), and the software lets you experiment with lighting before a shoot, maximizing shooting time when the real subject shows up. The Basic Edition includes three room templates and five light sources.
The Premium Edition has infinitely adjustable shooting spaces and an unlimited number of light sources, something the “every light available” shooter will like. At current exchange rates the Basic Edition costs $57, while the Premium Edition is $206.
Get an upgrade to set.a.light 3D and enjoy the full flexibility of the Premium Version. Define and save your own studio. Use as many lights as you want, at the same time.
Load.png files with transparencies onto the picturewall. No watermarks on the setplan.
Render up to 1600px – without watermark. Get updates for free After ordering, you get a license-code which upgrades your software to set.a.light 3D STUDIO. Note: The upgrade is only available for users, who have a activated version of set.a.light 3D BASIC. Difference between BASIC / STUDIO Edition.
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